We are extremely pleased that Dr. Helga Aurisch, Curator of European Art at the Museum of Fine Art Houston, has agreed to give us one of her fabulous lectures on the spectacular exhibit Habsburg Splendor: Masterpieces from Vienna’s Imperial Collections on Thursday, September 10, 2015. The format of our meeting will be different from past ones. We will meet at 6:00 p.m. in the lobby of the Audrey Jones Beck Building of the museum, where you can purchase a glass of wine or other beverage and we can socialize. The café in the museum is closed for remodeling, and there will be no food or beverages provided by Houston-Leipzig. We will get group entrance tickets from the museum at a cost of $14 per person. Then we will proceed to the lecture room on the mezzanine, where Dr. Aurisch’s lecture will begin at 6:30 p.m.

122986“Many of the masterpieces in the exhibit have never been seen in the U.S. The MFAH describes the exhibit as exploring the dramatic rise and fall of the Habsburgs’ global empire, from their political ascendance in the late Middle Ages to the height of their power in the 16th and 17th centuries, the expansion of the dynasty in the 18th and 19th centuries to its end in 1918 with the conclusion of World War I. The nearly 100 artworks and artifacts that tell that story include arms and armor, sculpture, Greek and Roman antiquities, court costumes, carriages, works of decorative art, and paintings by such masters as Correggio, Giorgione, Rubens, Tintoretto, Titian, and Velázquez. Key masterpieces that have never before traveled to the United States include: The Crowning with Thorns (c. 1602/04) by Caravaggio; a portrait of Jane Seymour (1536), Queen of England and third wife to Henry VIII, by Hans Holbein the Younger; and Jupiter and Io (c. 1530/32) by Correggio.

“The exhibit chronicles the Habsburgs’ story in three chapters, each featuring a three-dimensional “tableau”—a display of objects from the Habsburgs’ opulent court ceremonies—as context for the other works on view.

DAWN OF THE DYNASTY
124376The first section features objects commissioned or collected by the Habsburgs from the 13th through the 16th centuries. In this late medieval to Renaissance period, Habsburg rulers staged elaborate commemorative celebrations to demonstrate power and to establish their legitimacy to rule, a tradition that flourished during the reigns of Maximilian I and his heirs. Works from this era—including sabers and armor, tapestries, Roman cameos and large-scale paintings—illustrate the significance of war and patronage in expanding Habsburg influence and prestige.

Tableau: Suits of armor displayed on horseback, and jousting weapons from a royal tournament.

Highlights include:
• Armor of Emperor Maximilian I (c. 1492) made by Lorenz Helmschmid
• Bronze bust of Emperor Charles V (c. 1555) by Leone Leoni
• A rock crystal goblet made for Emperor Frederick III (1400–1450)

GOLDEN AGE

Velázquez, Diego, Infanta Maria Teresa (1638-1683), c. 1652/1653, 127 x 98.5 cm, Kunsthistorisches Museum Wien, EX.2015.SH.066The second and largest section of the exhibition highlights the apex of Habsburg rule, the Baroque Age of the 17th and 18th centuries. The dynasty used religion, works of art and court festivities to propagate its self-image and claim to rule during this politically tumultuous time. Paintings by Europe’s leading artists demonstrate the wealth and taste of the Habsburg rulers, while crucifixes wrought in precious metals and gems, as well as sumptuous ecclesiastical vestments, reflect the emperor’s role as defender of the Catholic faith.

Tableau: A procession featuring a Baroque ceremonial carriage and sleigh, with carvings by master craftsman Balthasar Ferdinand Moll.

Highlights include:
• An ivory tankard (1642) by Hans Jakob Bachmann
• Infanta Maria Teresa (1652–53), a portrait of the daughter of Philip IV of Spain and eventual wife of Louis XIV of France, by Velázquez
• An alchemical medal (1677), illustrated with portraits in relief of the Habsburgs, by Johann Permann

TWILIGHT OF THE EMPIRE
The exhibition concludes with works from the early 19th century, when the fall of the Holy Roman Empire gave rise to the hereditary Austrian Empire—a transition from the ancien régime to a modern state in which merit determined distinction and advancement. Franz Joseph, who would reign longer than any previous Habsburg, saw the growth of nationalism and ultimately ruled over a dual monarchy of Austria-Hungary. As heir to the Habsburg legacy—and in the spirit of public education and enrichment—he founded the Kunsthistorisches Museum in 1891. Reflecting the modernization of the Habsburg administration, the exhibition ends with a spectacular display of official court uniforms and dresses.

Tableau: Uniforms and women’s gowns from the court of Franz Joseph.

Highlights include:• Campaign uniform of Franz Joseph (1907)
• A velvet dress made for Empress Elisabeth (c. 1860/65)
• An evening gown made for Princess Kinsky (c. 1905)
• Ceremonial dress of Crown Prince Otto for the Hungarian Coronation (1916)

A Brief History of the Habsburgs
The noble House of Habsburg rose to prominence in the late Middle Ages through strategic marriages, political alliances and conquest. In 1273, Count Rudolph IV gained control of Germany as King of the Romans, and Habsburg domains continued to grow leading up to Pope Nicholas V’s coronation of Frederick III as Holy Roman Emperor in 1452. Under Frederick’s son Maximilian I and his successor, Charles V, the Habsburgs achieved world-power status, assuming the title of emperor without papal consent and enfolding Spain and Burgundy into the Habsburg-controlled territories. The dynasty split into Spanish and Austrian branches shortly thereafter, and in the 17th and 18th centuries the male lines died out, resulting in the loss of Spain.
In 1740, Maria Theresa—the sole female Habsburg ruler, who reigned for a remarkable 40 years—seized control of the Austrian line to become the final ruler of the House of Habsburg. The early 19th century witnessed the final demise of the Holy Roman Empire and the establishment of the main Habsburg line’s successors: the House of Habsburg-Lorraine. A hundred years later, in 1916, Emperor Charles I inherited a dual Austro-Hungarian monarchy upon the death of longtime Emperor Franz Joseph. More than 600 years of Habsburg sovereignty came to an end in 1918 with the close of World War I.”